After following some lessons in Strobist's Lighting 101 posts, I randomly positioned my light umbrella directly behind my model for the lesson (a large teddy bear who turned out to be much more patient with me than any living model could be) and got a striking silhouette. I instantly thought to myself, "that would make for a cool Sterling Engine photo," so I tried to recreate it.
Unfortunately, due to the size differential and some positioning issues, the ribs of the umbrella were visible in all my shots. Which led to me thinking, "if I zoom in on a portion of the Engine, perhaps I could get a cool silhouette of that." So I slapped on my macro setup, and proceeded to shoot parts of the Sterling Engine back lit by the umbrella.
One thing led to another. A second flash was introduced. I started getting drawn to the reflections in the base plate that were back lit by the umbrella. Eventually, I captured the image above.
What you're looking at is a support arm and part of the brass flywheel reflected in the base plate, and silhouetted by the umbrella flash. Before processing, it was a stark, cold, black on white image, with hints of gold for the flywheel. In LightZone, I played with the white balance to see if I could remove all hints of color. Instead, I ended up going the other way, emphasizing warmth.
The image evokes the sense of motion in me, even though there is none in the object I was photographing. Sometimes I imagine liquid flowing out of a vessel. Other times I see a multi-legged creature skittering across the frame. I would never connect the Sterling Engine with this photo if I had not taken it.